Saturday, October 23, 2010

Full of Beep

She speaks Beep. I do not know the language. But I am trying.

My 5-year-old daughter, Chelsea, has always been a bit on the shy side. Her primary objective in life is to be cozy, and to spend time with her mom and grandparents. She goes to school and tolerates it well enough, but school can’t hold a candle to sitting quietly on the couch, sniffing her blankie while watching TV. Or sitting at the kitchen table with her mom, doing a jigsaw puzzle while sipping apple cider.

After both of our school days are done and we’re home together in the house, I ask Chelsea how her day was. She glances up at me from behind her blankie, keeps walking, and says just one word: “Beep.” I tell her that I’d really like to know how she’s doing. Again: “Beep.” For my third try, I get a bit more specific and direct: “Chelsea, can you please tell me what you did today in school?”

You guessed it. Beep.

I don’t understand where it comes from, or why the girl has turned into a blonde-haired version of Road Runner. But whatever the reason is for this girl’s affection for Beepness, it has happened. And it seems to offer her the same comforts that the soft blankie does: A place in which the demands and stresses of the big, wide world need not be considered. It’s a world where you don’t hear about homework or new math problems or Monday-morning wakeups. You just spend your time counting beep.

I work a lot with language, as a teacher and writer. And I know that we can communicate in a lot of different ways. In literature, popular writers such as Junot Diaz and Khaled Hosseini often bring multiple languages into their prose. In politics, campaigns resort to metaphor-loaded jargon that often obscures any real talk about issues. In our daily lives, many of us communicate via e-mail, status postings and text messages in a short-hand, symbolic language that might have confused even a lover of invented words such as Shakespeare. And in baseball, there are entire books devoted to explaining the language of this sport, so that the casual viewer might have some idea how to tell the difference between a “Baltimore chop,” a “little dribbler” and a “screaming liner.”

So if we’re playing so much with language already, why not toss a little kindergarten Beep into the mix? There’s room under the tent for that as well. Yet while playing around with language is completely fine, the use of said language to avoid ordinary conversations can be a bit more troubling.

So I am working on cracking the Beep code. My initial approach has been to join in the game. So in recent days, when I’ve seen my little girl, I’ve asked her this: “Chelsea, how was beep today?”

“Beep,” she responds.

“Sure,” I say, “but did you read beep in class? Or did you draw beep instead?”

She cracks a smile, and we play at this game for a while. I still don’t get much specific information about the school day, but I do feel like she’s letting me into her world somewhat.

Last Friday, as my wife and older daughter were at Brownies, I got a couple of hours together with Chelsea. I picked her up from school, we did the Beep dance for a while in the car, then we headed out to Target together. We walked through the aisles, looked at some stuff, then I bought some things from the pharmacy and food sections.

As we arrived home, Chelsea hugged her mom and told her about our trip to the store. And while her recap began in a happier tone, Chelsea soon shot her mom a more serious look and lowered her voice to a register of disappointment.

“And at the store,” Chelsea said, “Daddy didn’t buy me one single thing.”

Some ideas need no secret language to convey. I shook my head at these words, then looked at my wife with a smile. As for Chelsea’s material desires, I’ve been there, done that. But on this afternoon, I was under the impression that our time together was all that mattered.

Seems like Daddy was full of beep.

Thursday, October 14, 2010

The Piano Man

Grading papers is a craft of sorts – you want to provide valuable feedback to help a student improve those skills, yet you can’t spend an hour on each essay. That would leave you with no life whatsoever. So you work efficiently, red or purple pen in hand. And you write those comments in a manner that is part-teacher, part-psychologist – you’re always aware of whose work you’re grading, and what tone you should use in order to leave that student feeling better about his or her potential, no matter what the final grade may be.

It’s a little like the work of a hitting coach. Instead of fine-tuning a batter’s swing or follow-through, you’re honing some reading and writing skills, via full-class sessions, conferences and written feedback. And instead of poring over video and scouting reports, you’re studying The Great Gatsby and A Raisin in the Sun. You don’t expect to become a household name through the work you do, but you know that if you do it well, there will be more than a few students who will come back and thank you someday.

As I was practicing my grading craft Monday, I did so with another craftsman working in the basement below me. His name is Lee Bulkley, and he’s been tuning pianos for four and a half decades. Some kind neighbors had given us their piano upon moving, and this early-‘80s Kimball upright needed a tuning in the worst way. So, thanks to our friend Peter’s recommendation, we invited Lee over to take a look. He walked in, greeted me, and sat down at the piano. He played a few notes, stopped and said, “Well, it sounds awful, but it’s something we can work with.”

There are craftsmen, and then there are craftsmen. In my book, Lee Bulkley more than earned his italics on Monday. The man spent four and a half hours in our basement, delving into the bowels of that piano in search of a sweet sound. He adjusted the tension of strings and oiled the metal pins that held these strings in place. Every hour or so, Lee played a full tune on the ivories to give the piano a test drive. As I worked through my seniors’ tests on A Streetcar Named Desire, I did so to the sounds of Lee playing “The Entertainer” and “Hello, Dolly!” If a few of my students earned higher test grades than normal, it’s because of the mood that Lee’s music left me in as I sat at my desk.

Occasionally, I walked downstairs to check on Lee. At one point, we digressed from talking about pitch, broken keys and the evolution of the Kimball, and instead started discussing careers. Lee shared with me the reality that his business is not faring so well these days. As with so many businessmen in 2010, Lee has had more profitable years than this one. He’s thinking of new ventures, he said. Right now, he’s looking into real estate.

There was a time, not so long ago, when learning a craft and perfecting that craft were seen as some of the highest accomplishments an adult could achieve in life. In this 21st century, though, it has become possible to computerize so many of the things we use and value. While this has its advantages, it also tends to leave the craftsman behind.

And when we do that, we lose something. The Lee Bulkleys of this world have provided an awful lot of soul to the music of life. Losing them would be a bit like assessing our students solely through standardized tests. Or teaching youngsters how to hit a baseball via YouTube videos.

Lee got halfway through the tuning process on Monday. He’s coming back soon, to finish the job. He estimates it will take another four hours. I look forward to seeing him walk up the driveway, toolbox in hand. And I can’t wait to hear him test out his handiwork with a song or two. I may even put the grading aside this time, and just sit and listen.

Friday, October 1, 2010

Closers & Connections (One Sixty-Two: Day 162)

Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.

Day One Hundred Sixty-Two: Mariano Rivera, New York Yankees

When I was taking journalism courses in college, I studied many of the great American sportswriters. It didn’t take long for Roger Angell to quickly become a favorite. Angell’s breathtaking New Yorker essays showed me the extent to which baseball writing can be literature. I studied Angell’s stories and noticed his attention to detail, as well as his willingness to go beyond balls and strikes and into the larger stories taking place in a ballpark every day.

Thanks to writers like Angell and the incomparable Gary Smith of Sports Illustrated, my life as a sports fan, sports reader and sports writer is framed by the dual observations of the game itself and the stuff of life surrounding that game. My heart pounds when Mariano Rivera enters a Yankee game in the late innings of a playoff matchup: He’s out there, after all, because New York is trying to protect a razor-thin lead against a formidable foe. But amid the nail-biting suspense, I try and see the big picture as well. I view the cool with which a man like Rivera goes about dispatching elite hitters every day, and wonder how different his nerves are from those of a man who welds together steel beams 100 stories above Manhattan, or a woman who defuses bombs for a living. As Rivera finishes off a hitter for the final out, I wonder what it says about the man that he is able to smile and shake hands while also maintaining a composure that seems to say, “The win was great, but it’s not everything.”

When Rivera closes a game, as he’s done better than anyone in history, he seems to enjoy the moment while also looking ahead. Even after he’d finished off the Philadelphia Phillies in last year’s World Series, Rivera stood on the dais at Yankee Stadium and announced that he was ready to play ball for another half-decade. The man can finish things, but he knows that every ending is really just another beginning.

“Baseball is not life itself, although the resemblance keeps coming up,” Roger Angell wrote in his book Season Ticket. The great part about this aphorism is that you don’t have to force it. My wife bought some Turkey Hill ice cream today at Stop & Shop, and it came in a Yankee-themed box with a flavor titled “Pinstripe Brownie Blast.” Now that is an example of a forced baseball-to-life connection. We didn’t need the brownie blast to see baseball and life interweaving – clearly, my wife had gone food shopping without eating a full breakfast today, and her hunger had left her buying food items in a manner befitting George Steinbrenner’s free-agent splurges of the 1980s: She was eagerly snatching up the fancy-looking stuff, buying on impulse rather than deliberate planning. Amy may not like this ice cream in the end, but for the moment it was a headline-grabbing purchase in our house.

Another arduous regular season draws to a close this weekend, with the playoffs set to begin in a few days. Sometime during the week, I’m sure Amy and I will find ourselves sitting in our living room, watching nervously as Mariano Rivera takes to the mound in the ninth inning. Our hearts will race a bit, but I’m sure we’ll calm ourselves down with a nice bowl of Pinstripe Brownie Blast. It will taste good enough to remind us both that baseball, like life, is about far more than the drama of the moment. In my final days of life, I don’t know that I’ll be able to recall what the Yankees did in 2010. But I know I’ll be able to remember what it felt like to sit next to my wife, eating some ice cream with her, while watching a ballgame together in our home.

In the end, it’s always about the connections – with those we know, with those we meet, and with our own selves. It’s always more about the hug Rivera just gave to his catcher than it is about the final pitch he threw. You don’t build a relationship with a pitch. But you can do it just fine with a hug.

Thursday, September 30, 2010

We Meet Again (One Sixty-Two: Day 161)

Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.

Day One Hundred Sixty-One: Grady Sizemore, Cleveland Indians

It had been nearly four years since Ron and I had gotten together. He had moved to a different state, made partner at his law firm, and traveled five days a week nearly every week of the year. To say his plate has been full would be an understatement. I have no idea when the man sleeps. In Ron’s life these past few years, getting in touch with friends was secondary to finding some time to actually eat, exercise, and rest.

But a few weeks ago, Ron got in touch. He asked if I’d like to go to a Yankees-Red Sox game with him. I told him I would love to go. And so, on a cloudy Sunday evening in late September, I met up with one of the best friends I’ve had in my life after missing his presence for the better part of my late 30s.

We hugged, exchanged greetings, hopped into my car and began the complex work of catching up on four years. I know the clock said we spent seven hours together, but it felt more like ten minutes. There was so much to discuss: Stories of family, work, friendships, travels, daily routines and personal growth. We talked in the car, on the subway, and on the street. We talked in Staten Island, Brooklyn, Manhattan, and the Bronx. And, of course, we talked at the ballpark.

The rhythms of a game provided the perfect backdrop for two friends who’ve attended several dozen games together, yet haven’t done so since the pinstriped unit played in a different home stadium. As we sat together in the new digs, Yankees-Red Sox in the South Bronx was as exciting as you’d expect, especially as this game saw New York win in extra innings. But, to be honest, Ron and I could have just as easily been sitting in Arizona, watching Indians centerfielder Grady Sizemore rehab his knee at Cleveland’s spring-training facility. The location didn’t matter, so long as there was baseball before us.

We talked eagerly of seeing each other again, and continuing the business of reconnecting. The vow to meet again soon was more than optimistic chatter. As I reflected on my visit with Ron, I realized that there was a time, earlier in my adulthood, when I would have felt more hurt, betrayal and anger at a friend who’d fallen out of touch with me. But the years have softened the demands I make of friends, and left me feeling grateful for whatever time I can get with them. There’s not enough hours in the day or space in the heart for those kinds of hard feelings. Just tell me what you’ve been up to, and let’s head out to a game.

Ron’s girlfriend is a Cubs fan. During the season, they walk from their home to Wrigley Field whenever they can catch a game. I look forward to joining them there, along with my wife. We’ll enjoy the game and the gorgeous ballpark, I’m sure. But mostly, we’ll just talk. That’s what friends do.

Wednesday, September 29, 2010

The Story of the Year (One Sixty-Two: Day 160)

Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.

Day One Hundred Sixty: Armando Galarraga, Detroit Tigers

As the baseball season’s final week unfolds, the media spotlight shines on teams in pennant races and on individual players pursuing awards and statistical crowns. All of these clubs and players are well worth the attention they’re receiving. But the story of the year in baseball did not involve any playoff implications or MVP-caliber players.

It involved a blown call, a disastrous end to the best game one man had ever played, and the supreme sportsmanship that followed. Detroit Tigers starting pitcher Armando Galarraga has not lit up the world by any means as a pitcher this year: He’s 4-8 on the year, with more hits given up than innings pitched, and nearly as many walks as strikeouts. The Tigers are a mediocre team this year, and Galarraga fits that mold with his 4.62 earned-run average and just one complete game.

But oh, that one complete game. Bring me your most dramatic, exciting pitching performance in the playoffs this year, and I’ll still take Galarraga’s June 2nd masterpiece over it any day. It’s two outs, bottom of the ninth inning, and no Indians player has even reached first base. All Galarraga needs to do is retire shortstop Jason Donald and it’s all over. The pitcher gets Donald to hit a ground ball to first base, where Detroit’s Miguel Cabrera fields and throws to Galarraga, who is covering first. The throw and pitcher’s foot beat the runner, yet somehow, umpire Jim Joyce misses the call. He throws out his hands and rules the runner safe.

The rest is now the stuff of legend: Galarraga finishes off his one-hitter. Joyce goes to the umpires’ locker room and sees his missed call. He walks into the Tigers’ locker room and apologizes, tears in his eyes. Galaragga forgives, immediately. The Tigers rally around their pitcher’s kindness, and the fans follow their pitcher’s lead and give Joyce an ovation the next day. The umpire’s immediate and emotional apology, coupled with the pitcher’s perspective and grace, reminded those who follow sports that there is a lot more to life than a perfect two hours on the pitcher’s mound.

Galarraga found the strength and understanding to reach out with compassion to another human being who had made a mistake, who felt the pain of that error, and who needed forgiveness. At this moment in late spring, Armando Galarraga reminded us that in its greatest moments, baseball really can serve as a metaphor for life at its very best.

A few weeks ago, the Tigers hosted the Baltimore Orioles at home. Galarraga took the hill and threw a strong seven innings, yielding just four hits and three runs. The home-plate umpire for that game was Jim Joyce. The two men crossed paths once more and gave their all, just as they’d done three months earlier. Once again, there was no perfect ending to be found – that is, if you’re measuring life through statistics. If you’re measuring instead by acts of sportsmanship, then this is about as perfect as it gets.

Tuesday, September 28, 2010

Programming Hope (One Sixty-Two: Day 159)

Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.

Day One Hundred Fifty-Nine: Brian Matusz, Baltimore Orioles

In the fall of 1984, I learned how to perform basic programming on my Commodore 64 computer. I could craft a program in which users were asked a question, to which they would be asked to type their own response. The program would then give an (A) or (B) answer based on whether or not the user had given the correct response.

For the topic of this program, I chose the 1985 New York Yankees. The fact that I had crafted a computer program about baseball was completely unsurprising to anyone who knew me. But why was I making this program about the following year’s Yankee team? After all, we still had a few more months of ’84 yet to live. The Detroit Tigers had yet to defeat the San Diego Padres handily in the World Series. And Ronald Reagan had yet to defeat Walter Mondale even more handily in the presidential election. Why was this obsessive 13-year-old looking ahead so eagerly?

It was all about the way things were ending in the South Bronx that year; I was excited about the future. The Yankees, who had started miserably that year, finished strong under manager Yogi Berra to the tune of 87 wins. I had seen a lot of young, pinstriped players bloom in the ’84 season. Therefore, my wacky new program asked the user which player he or she thought would start at each position for the Yankees the next year. If you selected the player I agreed with, the program told you so. If I disagreed, it gave you a different answer.

So if you answered the question, “Who do you think will play shortstop for the Yankees next year?” with the answer “Bobby Meacham,” the program responded by telling you that I expected Andre Robertson to start at short instead. If you answered my question about first base with the words “Don Mattingly,” you were greeted with enthusiastic agreement.

Young players like Robertson, Mattingly, Mike Pagliarulo and Joe Cowley had helped the team post a 51-29 record in the season’s second half. Like many kids with “NY” logos on their caps, I was pretty pumped about the year ahead. Most of the other fans could contain their obsession enough to avoid creating Commodore 64 programs about the Yankees. But I guess we all have our passions – and quirks.

This evening, I thought about that autumn of 26 years ago while looking at the standings and noticing how well the Baltimore Orioles have played since Buck Showalter took over as manager. The O’s seemed destined for an utterly miserable season in late July, but the hiring of Showalter on July 29 has given the Maryland faithful a lot of reasons to hope. The former Yankees, Diamondbacks and Rangers manager has steered Baltimore to a 30-22 record over the past two months. Young Orioles pitchers and position players who’ve had the words “potential” stamped on their foreheads for some time have finally started playing quality major-league ball, and they’ve won ballgames as a result. Left-handed pitcher Brian Matusz, for instance, has gone 6-1 with seven quality starts since Showalter took over the reins. A first-round draft pick two years ago, Matusz is the future ace of this club, and he appears ready to fill that role as soon as next season.

So the fans are getting excited in Baltimore again, and Buck Showalter is spoken of glowingly in conversations at Inner Harbor restaurants these days. As for the kids at home, they’ve already started dreaming of a return to the playoffs for the boys in orange and black. I don’t think many of those kids own a Commodore 64, and even if they did I don’t think they’d use it for Orioles starting-lineup quizzes.

But whatever they do, the youngsters who cheer for the Baltimore Orioles have more than a few reasons to think about the spring of 2011. You can’t program a winning season, but you can recognize something good when you see it. Now, Orioles fans, let’s get started – who should Buck start at first base?

Monday, September 27, 2010

He Did It Again (One Sixty-Two: Day 158)

Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.

Day One Hundred Fifty-Eight: Logan Morrison, Florida Marlins

My mother would call us in for dinner from the back window, and we’d hear her as the sweat dripped down our brows. “Just one more minute!” we’d call from the patio, panting the words. My brother and I were locked in combat, and there was no dish of spaghetti or tacos or London broil that could pull us away from this moment.

We were inevitably tied at 20 in a game of one-on-one basketball, and our rules required the victor to score at least 21 points (one point for each basket made), while winning by at least two. As my mom granted us that one more minute and closed the window, Eric would dribble back to the foul line, give me a head fake and swish a jumper. Game point for him. I’d follow by picking up the pace on defense, putting a hand in his face on the next shot, and grabbing a monster rebound.

I’d dribble back to the foul line quickly, then bulldoze my way to the rim, where he’d get a hand on the ball but I’d hold on and somehow drop a layup into the rim. My ball again: This time I’d miss a short jumper, but hustle for the offensive rebound and bank in a put-back to pull ahead by one.

My ball; game point. Finally, for the first time in months, I was about to beat my brother. The kid was three years younger than me, but he’d been growing like a weed and was developing long, sinewy muscles that could do most anything he asked of them in the sports arena. As he grew into his teens, the kid started defeating me regularly in hoops, in stickball and in tennis. Almost every time we played, I’d hold a late lead, only to watch him snatch victory away from me in the waning moments.

This time, though, it was going to be different.

I dribbled slowly toward the hoop, keeping the ball away from Eric’s lanky arms. I backed him to the rim, setting myself up for a head fake and a short jumper. He leaned in, but I had him where I wanted him. And then, for some reason, my inner desire to become the next Kareem Abdul-Jabbar overtook any semblance of sanity. I leapt, swung my right arm in an arc from below my hip to above my head, and let loose a pretty, yet dreadfully misguided, hook shot.

Eric grabbed the rebound. He took off for the foul line, then returned with a pretty layup. Game tied. Ball back to Eric. He brought the ball behind the 3-point-line, took a quick look at me, and released a perfect jump shot. In our games, shots taken from behind this line counted as two points. As Eric’s ball landed perfectly through the net, my mother called us in again. I was bent over and wheezing now, in need of an inhaler. My brother slapped me five and retrieved the ball. “Good game,” he said.

Yeah, sure. Good game. It was always a good game with my brother. The problem was that it always ended the same way. I was Charlie Brown going all-out to kick the football, and he was Lucy pulling it away from me at the last moment. Just when I thought I finally had him licked, he stepped behind that 3-point-line and finished me off.

This past week, somewhere in the virtual world of ESPN Fantasy Sports, two make-believe baseball teams played a head-to-head matchup in a league semifinal. One of these teams was managed by my brother, and the other by me. My team had far and away the best record in the regular season, while Eric’s had just barely made the playoffs. I had superstars ranging from Alex Rodriguez to Carl Crawford to Roy Halladay on my team. Eric had a few great players, but he also had to scuffle just to fill his roster with some players he could rely on regularly.

But when he found himself matched up against his dear brother, Eric knew his season was about to turn around. And it did, of course. While my superstars struggled just to get base hits last week, Eric turned to unsung players such as Marlins rookie Logan Morrison, whose superb week helped lead Eric’s team swiftly past my group of All-Stars and into the finals.

I have a pretty good history of recovering rather quickly from fantasy-baseball losses. There are, of course, several million more important things in our lives than virtual sports. But at the same time, well, it happened – he beat me again. I was so close to victory, and I could taste it as if it were Mom’s spaghetti steaming on the kitchen table. And then my laptop took a queue from the gathering dusk of a backyard patio on Staten Island, and that kid found a way to hit another final shot.

Charlie Brown, you can pick yourself up now. The game is over. You battled hard, you fought ‘til the end, and your brother still loves you. Dinner’s ready.