As my seniors begin to count the days to graduation, I try and keep them engaged in high school English by giving them assignments they’ve never had before. One such assignment involves a film-analysis unit. Their job is to study a movie as closely as they would a book, then write an essay on the film. This year, I chose John Sayles’ Lone Star, the 1996 indie classic. As they watched the film, I asked my students to write an essay analyzing the borders that are crossed, both literally and figuratively, in this story.
As Chris Cooper’s Sheriff Sam Deeds seeks to solve a long-ago Texas murder mystery, Sayles opens up his screenplay and camera to take on more than just a classic Western plot – he turns his movie into an exploration of what it means to be an American. Issues of race, immigration, assimilation, ethics, historical accuracy, family strife and the burdens of our past all come together in this movie. There are, to say the least, a lot of borders to cross. As my students watched the film, it was fascinating to see which borders they were willing to grapple with in their analysis, and which ones they chose to avoid.
Border-crossing is a theme we’ll be sticking with for a while this semester, as we’ll follow up Lone Star with Khaled Hosseini’s novel The Kite Runner. As we explore this film and book, we might find ourselves more aware of other borders being crossed in the world around us.
If we follow basketball, we might have noticed one such crossing at Madison Square Garden Friday night. The World’s Most Famous Arena has been noticeably quiet during basketball seasons for more than a decade now. But this year was supposed to be different, as the New York Knicks sought to end their years of misery by suiting up two perennial All-Stars. Yet, despite the presence of stars Amar’e Stoudemire and Carmelo Anthony, the Knicks were off to a dismal start as February began. Then, a week ago, Anthony was lost to injury and Stoudemire had to leave the team due to the death of his brother. That left New York in even worse shape, and set up for a lost season.
So, with nothing to lose, the Knicks handed the ball to an undrafted, second-year point guard out of Harvard. A California-born kid of Tawainese and Chinese descent. A young man who could have walked the streets of New York at any time and been recognized by no one. Jeremy Lin is his name, and his NBA career includes two brief stints with teams that let him go.
Sometimes, those borders get crossed when you’re least expecting it. The undrafted point guard has scored 20 or more points in five straight games – all them won by the Knicks. After Friday’s 38-point outburst against Kobe Bryant and the Los Angeles Lakers, Jeremy Lin is the toast of New York sports. The Garden is rocking. The Knicks can’t keep Lin’s jersey in stock. Linderella, some are calling it. Linsanity, others say.
Less than a week after the Giants claimed their fourth Super Bowl title, all eyes are on the Knicks. Less than a week before Yankees pitchers and catchers report for Spring Training, all eyes are on the Knicks. This is the way it’s supposed to be in New York in February. But it hasn’t been that way since the Patrick Ewing Era ended, and that’s a long time ago. Now, as a skinny, slick-moving guard slices through opponents’ defenses, there is hope again for the Knicks.
And as many hibernating Knicks fans cross this sports border into basketball fandom again, we find ourselves dribbling across other lines as well. As we watch a basketball player who is neither white nor African-American guide the Knicks to victory, we smile at the knowledge that anything can happen in sports, and our assumptions and expectations can be proven wrong as quickly and as emphatically as a 360-degree spin move.
There are a lot of people out there who love basketball and play it really well, and Jeremy Lin is one of them. He is by no means New York’s lone star – in fact, his style of play encourages teamwork much more than ball-hogging. But as Lin and the Knicks find themselves playing their best basketball of the year, and as an arena full of New Yorkers of all races and ethnicities shout this young man’s name, it is a moment worth noticing in sports.
Sure, it’s just a hardwood floor with a bunch of sweating athletes on it. But at its best, sports is a place where borders get crossed left and right – so much that it’s hard to see the dividing line at all. So embrace the Linsanity, New York. Embrace it fully.
Showing posts with label New York Knicks. Show all posts
Showing posts with label New York Knicks. Show all posts
Sunday, February 12, 2012
Friday, June 25, 2010
Shouldering the Load (One Sixty-Two: Day 64)
Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.
Day Sixty-Four: Yovani Gallardo, Milwaukee Brewers
With just one week to go before he can sign as an NBA free agent, LeBron James is most definitely weighing his options. When you find yourself carrying your team, it’s hard to feel great about your championship options. You start to wonder what it would be like to play with another franchise.
For the past seven years, James has been the dominant player on the Cleveland Cavaliers, and he has lacked the caliber of supporting players enjoyed by Kobe Bryant of the champion Los Angeles Lakers. Of course, whatever James has had in Cleveland is far better than what he’d have with the New York Knicks next year. But, after five straight playoff disappointments, James just might feel as though he needs a change.
For more than five years now, the Milwaukee Brewers have danced on the periphery of baseball playoff contention. Milwaukee has always had the hitters; it’s the pitching that has slowed them down each year. In 2008, the Brewers made the daring move of trading for starting pitcher CC Sabathia during the summer playoff race. The addition of this front-line starter was a difference-maker, and Milwaukee made its first playoff appearance in 26 years.
In 2010, the great Brewers hitters are still in that lineup – Ryan Braun, Prince Fielder, Rickie Weeks, Corey Hart, and others. However, the pitching is absolutely pitiful – except for one man. And that’s just not enough.
Yovani Gallardo, a 24-year-old flame-thrower, has started 16 games, won seven of them, and compiled a 2.36 earned-run average to go with 115 strikeouts. These are superb, All-Star numbers. But to show you how far removed Gallardo’s performance is from the rest of his team’s, check this out: Every other Brewers starter has yielded at least twice as many runs per nine innings as Gallardo. No Brewers starter has even half as many strikeouts as this man. The Brewers have two complete games and two shutouts from their starting rotation – both coming from Gallardo.
This is simply not enough. Starting pitchers get the ball once every five days. The way Gallardo is throwing, he’s as good a bet as any to win with that lineup. But there are four other games in between his starts. As a team, the Brewers are giving up five runs per nine innings. No one in the National League scores as many runs as Milwaukee; and yet, even this offense can’t score as many runs as the pitching is giving away for free. This is why the team is 32-40 nearly halfway through the season.
Sadly, it doesn’t look like a championship year for the Brew Crew. As for Gallardo, he’s not yet eligible for free agency. But when that time comes, you have to wonder if he’ll be willing to stay around Wisconsin if there are no other decent pitchers around him. The Brewers have time to re-tool; LeBron would surely advise them to get started.
Day Sixty-Four: Yovani Gallardo, Milwaukee Brewers
With just one week to go before he can sign as an NBA free agent, LeBron James is most definitely weighing his options. When you find yourself carrying your team, it’s hard to feel great about your championship options. You start to wonder what it would be like to play with another franchise.
For the past seven years, James has been the dominant player on the Cleveland Cavaliers, and he has lacked the caliber of supporting players enjoyed by Kobe Bryant of the champion Los Angeles Lakers. Of course, whatever James has had in Cleveland is far better than what he’d have with the New York Knicks next year. But, after five straight playoff disappointments, James just might feel as though he needs a change.
For more than five years now, the Milwaukee Brewers have danced on the periphery of baseball playoff contention. Milwaukee has always had the hitters; it’s the pitching that has slowed them down each year. In 2008, the Brewers made the daring move of trading for starting pitcher CC Sabathia during the summer playoff race. The addition of this front-line starter was a difference-maker, and Milwaukee made its first playoff appearance in 26 years.
In 2010, the great Brewers hitters are still in that lineup – Ryan Braun, Prince Fielder, Rickie Weeks, Corey Hart, and others. However, the pitching is absolutely pitiful – except for one man. And that’s just not enough.
Yovani Gallardo, a 24-year-old flame-thrower, has started 16 games, won seven of them, and compiled a 2.36 earned-run average to go with 115 strikeouts. These are superb, All-Star numbers. But to show you how far removed Gallardo’s performance is from the rest of his team’s, check this out: Every other Brewers starter has yielded at least twice as many runs per nine innings as Gallardo. No Brewers starter has even half as many strikeouts as this man. The Brewers have two complete games and two shutouts from their starting rotation – both coming from Gallardo.
This is simply not enough. Starting pitchers get the ball once every five days. The way Gallardo is throwing, he’s as good a bet as any to win with that lineup. But there are four other games in between his starts. As a team, the Brewers are giving up five runs per nine innings. No one in the National League scores as many runs as Milwaukee; and yet, even this offense can’t score as many runs as the pitching is giving away for free. This is why the team is 32-40 nearly halfway through the season.
Sadly, it doesn’t look like a championship year for the Brew Crew. As for Gallardo, he’s not yet eligible for free agency. But when that time comes, you have to wonder if he’ll be willing to stay around Wisconsin if there are no other decent pitchers around him. The Brewers have time to re-tool; LeBron would surely advise them to get started.
Thursday, June 17, 2010
What's Next? (One Sixty-Two: Day 56)
Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.
Day Fifty-Six: Nick Swisher, New York Yankees
Throughout the year, ESPN has been running an innovative collection of documentaries titled “30 for 30.” In the series, the network celebrates its 30 years of existence by airing one-hour documentaries about sports events from the past three decades, created by various filmmakers.
Last night, ESPN debuted “June 17, 1994,” directed by Brett Morgen. Without conducting a single retrospective interview and using only video footage from that day, Morgen has created a breathtaking review of one of the most fascinating days in recent sports history.
The New York Rangers are parading down Broadway to celebrate their first Stanley Cup in 54 years. Arnold Palmer is limping along the course at Oakmont in his final U.S. Open. The World Cup is getting underway in Chicago, with President Clinton and Oprah Winfrey welcoming the world. Ken Griffey Jr. has launched a homer off of David Cone to reach 30 home runs in a season faster than any man in baseball history.
In Madison Square Garden, the fast, furious and physical NBA Finals between the Houston Rockets and New York Knicks are set to play Game 5 on this evening. Patrick Ewing and Hakeem Olajuwon are both in search of their first-ever title, and the teams are about as evenly matched as the 2010 Celtics and Lakers are.
So much sports excitement. And yet, it is all being pushed aside without a moment’s hesitation. The news is out of Los Angeles: One of sports’ most celebrated superstars has been charged with murder, and the L.A. police cannot find him. As O.J. Simpson and the infamous white Ford Bronco become visible on the highways of Southern California later in the day, American television news is quickly ushered into a new era. It is an era of news as entertainment, as soap opera, as sensationalism, as reality and as 24-hour Shakespearean drama.
It’s a day that altered the way our news is covered, and its imprint is all over the electronic journalism we encounter today – from the 24/7 oil spill camera, to the coverage of Tiger Woods and Michael Jackson, to the up-to-the-moment critiques and analysis of every political maneuver, to the constant overlap of news and reality television (balloon boys, White House gate crashers, American Idols, and YouTube sensations, to name a few).
My brother was showing me his Twitter account the other day, and he was explaining how it all works. He was using his iPhone to search around Twitter for people to “follow,” and he came across a very popular Twitter page for New York Yankees outfielder Nick Swisher. The people who follow Swisher’s Twitter page get any up-to-the-moment thoughts that the friendly Yankee slugger has to share each day. How was last night’s game, Nick? What are you up to today? Who are your Twitter friends? Swisher has voluntarily placed a portion of his life on display every minute of every day. He knows that his fans crave nothing less.
Technology has changed dramatically over the past 16 years. But the cultural shift of June 17, 1994, is guiding what we do with this technology: We create our own news, our own realities, and give ourselves the constant rush of something new. We want to be both consumers and newsmakers at once, so we take off for the highway overpass and wave to the cameras following the Juice.
You don’t get to follow a Ford Bronco through L.A. every day, with one of the best football players in history holding a gun to his head in the back seat. But when nearly 100 million people tune in to watch something as gripping as this, they want to know one thing: What’s next?
It’s June 17, 2010. Turn on your phone, your laptop, your TV. He’s still there, still in that Bronco. It never ends. It never has. There’s always something next.
Day Fifty-Six: Nick Swisher, New York Yankees
Throughout the year, ESPN has been running an innovative collection of documentaries titled “30 for 30.” In the series, the network celebrates its 30 years of existence by airing one-hour documentaries about sports events from the past three decades, created by various filmmakers.
Last night, ESPN debuted “June 17, 1994,” directed by Brett Morgen. Without conducting a single retrospective interview and using only video footage from that day, Morgen has created a breathtaking review of one of the most fascinating days in recent sports history.
The New York Rangers are parading down Broadway to celebrate their first Stanley Cup in 54 years. Arnold Palmer is limping along the course at Oakmont in his final U.S. Open. The World Cup is getting underway in Chicago, with President Clinton and Oprah Winfrey welcoming the world. Ken Griffey Jr. has launched a homer off of David Cone to reach 30 home runs in a season faster than any man in baseball history.
In Madison Square Garden, the fast, furious and physical NBA Finals between the Houston Rockets and New York Knicks are set to play Game 5 on this evening. Patrick Ewing and Hakeem Olajuwon are both in search of their first-ever title, and the teams are about as evenly matched as the 2010 Celtics and Lakers are.
So much sports excitement. And yet, it is all being pushed aside without a moment’s hesitation. The news is out of Los Angeles: One of sports’ most celebrated superstars has been charged with murder, and the L.A. police cannot find him. As O.J. Simpson and the infamous white Ford Bronco become visible on the highways of Southern California later in the day, American television news is quickly ushered into a new era. It is an era of news as entertainment, as soap opera, as sensationalism, as reality and as 24-hour Shakespearean drama.
It’s a day that altered the way our news is covered, and its imprint is all over the electronic journalism we encounter today – from the 24/7 oil spill camera, to the coverage of Tiger Woods and Michael Jackson, to the up-to-the-moment critiques and analysis of every political maneuver, to the constant overlap of news and reality television (balloon boys, White House gate crashers, American Idols, and YouTube sensations, to name a few).
My brother was showing me his Twitter account the other day, and he was explaining how it all works. He was using his iPhone to search around Twitter for people to “follow,” and he came across a very popular Twitter page for New York Yankees outfielder Nick Swisher. The people who follow Swisher’s Twitter page get any up-to-the-moment thoughts that the friendly Yankee slugger has to share each day. How was last night’s game, Nick? What are you up to today? Who are your Twitter friends? Swisher has voluntarily placed a portion of his life on display every minute of every day. He knows that his fans crave nothing less.
Technology has changed dramatically over the past 16 years. But the cultural shift of June 17, 1994, is guiding what we do with this technology: We create our own news, our own realities, and give ourselves the constant rush of something new. We want to be both consumers and newsmakers at once, so we take off for the highway overpass and wave to the cameras following the Juice.
You don’t get to follow a Ford Bronco through L.A. every day, with one of the best football players in history holding a gun to his head in the back seat. But when nearly 100 million people tune in to watch something as gripping as this, they want to know one thing: What’s next?
It’s June 17, 2010. Turn on your phone, your laptop, your TV. He’s still there, still in that Bronco. It never ends. It never has. There’s always something next.
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