Writer’s note: One Sixty-Two is a season-long series of blog posts connecting baseball’s major-league players to life’s universal themes. Just as there are 162 games in a season, so there will be 162 posts in this series. Let’s play some ball.
Day One Hundred Twenty-Three: Edgar Renteria, San Francisco Giants (via Bobby Thomson)
In 1951, my grandparents lived with my mom in an apartment on Victory Boulevard in Tompkinsville, a working-class neighborhood on the North Shore of Staten Island. Their landlords, Mr. and Mrs. Nellis, lived above them and rooted passionately for the Brooklyn Dodgers. My grandparents gave them a hard time in September of ’51, as the New York Giants stormed back from 13½ games back to force a three-game playoff with the Dodgers for the National League pennant.
On October 3rd, when Bobby Thomson hit a three-run home run in the ninth inning of the deciding Game 3, my grandparents couldn’t help themselves. They picked up a broomstick and started banging on the ceiling. They, like almost all of New York, had been following this pennant race closely. Thomson’s home run had them whooping and hollering, while it had their landlords sobbing. Neither landlords nor tenants were alone in their reactions.
Bobby Thomson died a week ago at age 86, and he spent a lot of time over the last 59 years of his life talking about that home run. Not many people know what it’s like to electrify the world with one swing. But Thomson knew.
There have been players who’ve experienced the thrill of ending a postseason series with a game-winning hit. Bill Mazeroski and Joe Carter have clinched World Series titles with home runs, while Aaron Boone has, like Thomson, launched his team into the Fall Classic with one. Luis Gonzalez, Edgar Renteria and Gene Larkin have clinched world championships for their teams with singles. All of these hits are among baseball’s most exciting moments ever.
But when you’re talking about New York City in 1951, it’s a bit different from Minnesota in 1991, Miami in ’97 or Phoenix in 2001. There has never been a more fascinating setting for baseball than Gotham in the 1950s, as countless sports writers and historians have explained through books and articles over the years. And to think that of the three New York baseball teams, one was already in the World Series in October ’51, while the other two were playing a three-game series in order to get there and face the Yankees. That’s a level of excitement never experienced before, and never since.
I met Bobby Thomson once, while covering the unveiling of a postage stamp that commemorated his famous home run. Thomson seemed humble, reserved, and still in love with the game of baseball. He seemed to understand just what his “Shot Heard Round the World” meant to people, but he also surely knew that he would have never gotten the chance to hit such a historic homer were it not for so much amazing baseball played that season by Giants and Dodgers players alike.
To the people of New York, Thomson’s homer brought tears of joy, tears of sadness, screams of all kinds, and pandemonium in the city that never sleeps. It led to broomstick-knocks from the apartment below you, as your tenants shouted with joy while you covered your face to hide from the truth.
Bobby Thomson brought the frenzy of 1950s New York City baseball to its nirvana. He delivered it, savored it, and heard about it for six decades afterward. It was the kind of day that you don’t mind reliving for the rest of your life. Or telling your grandkids about. It was, most assuredly, the kind of day you remember forever.
Showing posts with label Luis Gonzalez. Show all posts
Showing posts with label Luis Gonzalez. Show all posts
Monday, August 23, 2010
Monday, April 6, 2009
Rooting for the Wrong Ending
It’s OK to root for my school, I’m telling myself. It’s not un-American.
Seven and a half years ago, I was rooting passionately for the Yankees to defeat the Arizona Diamondbacks in the World Series. I’d have done that anyway, but the events of September 11th placed the World Series storyline in a whole different light. The Bombers weren’t just playing for themselves, it seemed – they were playing for an entire city, one in need of all the inspiration it could get.
When Luis Gonzalez’ bloop single won the Series for Arizona in the last inning of the deciding game, it seemed as though someone had sabotaged the script and ended everything all wrong. Who really needed to see people hootin’ and hollerin’ in Phoenix at that time? Why was New York facing a sports-related heartbreak after all it had endured that fall? It was like leaving Dorothy in Oz with no good witch to save her, just Toto and a bunch of Munchkins.
Of course, the beauty of sports is that there is no set script (1919 World Series notwithstanding) and the thrill of the unexpected brings its share of joys and sorrows to the die-hard fan. We can write all we want about what a certain victory would mean to a town, a city, or a region, yet the facts remain that there’s a game to be played and symbolism doesn’t suit up to play; he just watches in press row.
So that takes us to tonight, in Detroit, when the North Carolina Tar Heels take on the Michigan State Spartans for the NCAA Division I men’s basketball championship. It is true, there has been incredible suffering among auto workers in Michigan and among those residents of Detroit itself. Only the heartless would lack sympathy for the thousands of unemployed in this area, or for the auto workers who are about to sacrifice portions of their precious pensions just to keep their jobs, or for the residents of Detroit who walk past empty storefronts and long for a new day. No matter how we feel toward the auto companies themselves, it has been a long, hard road for the people of Detroit, and they could use a pick-me-up as much as anyone this side of New Orleans.
It is most serendipitous that Detroit was able to host the Final Four this year, at a time when its economy could use a real jolt. Even more exciting for Michigan, though, is the fact that the Spartans are playing in the title game. As they suit up tonight, Tom Izzo’s players will try to win for themselves, for their school and for their region.
It sounds like a great, great story. The only problem here is that I went to the other school, the one that Michigan State is playing. I’d really like to see North Carolina win. And I have nothing against Detroit, auto workers or anyone in the Midwest. I just really like Carolina basketball. I feel somehow ashamed of that today, as I know the preferred plot favors the local guys winning one for Motown.
So if indeed the championship trophy is bathed in Carolina Blue tonight, I might just do one thing: I might forgive Luis Gonzalez. He didn’t mean to bruise my heart when he touched up Mariano Rivera with that well-placed single in November of ‘01. Neither did the Arizona fans. It’s just a game, and you don’t get to pick the ending. You just root for your guys, then get back to the literary devices of your own life.
Seven and a half years ago, I was rooting passionately for the Yankees to defeat the Arizona Diamondbacks in the World Series. I’d have done that anyway, but the events of September 11th placed the World Series storyline in a whole different light. The Bombers weren’t just playing for themselves, it seemed – they were playing for an entire city, one in need of all the inspiration it could get.
When Luis Gonzalez’ bloop single won the Series for Arizona in the last inning of the deciding game, it seemed as though someone had sabotaged the script and ended everything all wrong. Who really needed to see people hootin’ and hollerin’ in Phoenix at that time? Why was New York facing a sports-related heartbreak after all it had endured that fall? It was like leaving Dorothy in Oz with no good witch to save her, just Toto and a bunch of Munchkins.
Of course, the beauty of sports is that there is no set script (1919 World Series notwithstanding) and the thrill of the unexpected brings its share of joys and sorrows to the die-hard fan. We can write all we want about what a certain victory would mean to a town, a city, or a region, yet the facts remain that there’s a game to be played and symbolism doesn’t suit up to play; he just watches in press row.
So that takes us to tonight, in Detroit, when the North Carolina Tar Heels take on the Michigan State Spartans for the NCAA Division I men’s basketball championship. It is true, there has been incredible suffering among auto workers in Michigan and among those residents of Detroit itself. Only the heartless would lack sympathy for the thousands of unemployed in this area, or for the auto workers who are about to sacrifice portions of their precious pensions just to keep their jobs, or for the residents of Detroit who walk past empty storefronts and long for a new day. No matter how we feel toward the auto companies themselves, it has been a long, hard road for the people of Detroit, and they could use a pick-me-up as much as anyone this side of New Orleans.
It is most serendipitous that Detroit was able to host the Final Four this year, at a time when its economy could use a real jolt. Even more exciting for Michigan, though, is the fact that the Spartans are playing in the title game. As they suit up tonight, Tom Izzo’s players will try to win for themselves, for their school and for their region.
It sounds like a great, great story. The only problem here is that I went to the other school, the one that Michigan State is playing. I’d really like to see North Carolina win. And I have nothing against Detroit, auto workers or anyone in the Midwest. I just really like Carolina basketball. I feel somehow ashamed of that today, as I know the preferred plot favors the local guys winning one for Motown.
So if indeed the championship trophy is bathed in Carolina Blue tonight, I might just do one thing: I might forgive Luis Gonzalez. He didn’t mean to bruise my heart when he touched up Mariano Rivera with that well-placed single in November of ‘01. Neither did the Arizona fans. It’s just a game, and you don’t get to pick the ending. You just root for your guys, then get back to the literary devices of your own life.
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